If you’re tired of sitting on the sidelines during Bachata songs and want to learn how to dance one of the sexiest Latin dances, then now is the time to learn! Having taken the course myself, I was really amazed to see my mild skills become ‘caliente’, even after a few classes! It was so fun that I actually love Bachata more than any other dance!
What will you learn?
Take your basic from a ‘level-one shuffle’ to be on the level of a true Domincan. You’ll learn how to spice up your body movement and add romance to your leading/following technique. You’ll also learn some pretty hot turn-patterns that will be sure to turn heads as you burn the floor!
Two Speed Class Options
If you’re dying to get your bachata down as fast as possible, we have a condensed course with Olivier. If you’ve seen him dance, then you know that he’s got the Bachata skills to pay the bills! Spend 2 hours a week, over 4 weeks for some high-speed bachata action.
If you’d rather take your time, take the 9 week course with Tracie. Known for her spicy body-movement and style, she’s going to use each of the 9 week classes to slow-roast your dancing to the next level!
Time for Bachata
Having been around the dance scene for a few years now, I know that Bachata classes are only offered once or maybe twice a year! Now is the time to sign up and really up the ante. There’s nothing better than spending the second-half of Summer amping up your dance and prepping for a potentially sexy Dominican Vacation this Winter!
Stay Shining Salseros!
It’s funny how many ways a question can be answered.
Recently, a friend of mine asked me, ‘what makes someone a good bachata dancer?’
While I’m not an expert, I have spent much time trying to improve my bachata skills and here are a few things that I’ve noticed along the way…
I never truly understood bachata until I went to the Dominican and saw how it was properly done. I was amazed to see that it wasn’t about turn patterns but rather how the bodies speak to one another through subtle movements on the dance floor. When Shakira sang about ‘hips don’t lie’, she was definitely speaking about bachata, as all of the dancers were very close and their bodies were telling stories on the dance floor.
The best bachata dancers always seem to have a cascading effect to their movements. From a subtle shoulder roll leads the dancer’s body’s to arc one way and then crescendo into a full around-the-world movement. To me, it’s not about doing a one cool move into another; but rather how you move when you do a cool move into another.
Which leads me to something similar yet slightly different…
Call and Respond
Another trait that I love about good bachatera’s is how they respond to the movements that I’m making. If I go from a side basic into a ‘on-the-spot’ movement will she acknowledge that quickly, or will it take a few steps? If she catches that I want to do an ‘on-the-spot’ movement will she respond by accenting her body movement? This is all call and respond.
A term used most-often in music, Call and Respond refers to when one instrument will play and then another will play in a way that it’s almost talking back to the first instrument. In Hip Hop, you’ll see M.C.’s often ask a question and the audiences will respond with an answer, which in turn the M.C. will either repeat his question louder or perhaps add a new question making the Call and Respond more of a game.
In Bachata, great dancers feed off one another in their movement. Sometimes they are so good you swear that they have choreographed this at home, but great partners watch each other for subtle movements from the shoulders, hips and body; and move accordingly. It makes your dance sexy and shows your partner that you’re paying attention.
Dominican dancers love to get close, but that doesn’t mean that the same thing goes here in Canada. While many people do get close, we are for the most part, an intrinsic people and getting close means that you trust your partner to show you a certain level of courtesy. I’ve heard many tales from lady dancers who complain about guys who politely ask them to dance only to press up against them in an ungentlemanly way!
Those who know me well, know that I only have a small group of people whom I feel comfortable dancing such a close and sensual dance with. I can also name off about a dozen other dancers who feel the same way. The best dancers are the ones who will keep their space with their partners until it feels more natural to get close.
With the respect issue out of the way, I love watching the dancers who are flirty/playful with one another. In her classes, Sara, is always saying how you can flirt your dance up a little with the smallest of things. From spotting your partner just a little bit longer before you turn, or even Sharon’s motto of ‘there’s never a bad time for a hip roll’; one can really make it great with small, subtle-movements. Personally, I like to exaggerate my arm movements, as if I was underwater. It sounds weird, but makes all of my combs look like romantic gestures instead of ‘insert-arm-over-partners-shoulder’.
One of my favourite dance partners says that her favourite bachatero’s play with timing. One thing that Emely really made apparent is that the basic is just that, a base for all of the fun movement. There have been a few classes where we would spend swaying in different rhythms and times to demonstrate how beautiful it can be when two people are just moving to how their bodies feel they should move to the music. I remember looking in the mirror in one of those classes only to marvel at how together, the class looked like a swaying bamboo forest.
Have fun with timing. Take the full 8 counts to do a hip roll, accent the guitars by popping back and forth a few times…take a chance.
This is to me, the most important factor in what makes someone a good dancer… no matter the style of music, it’s how the dancer reacts to the music that matters. Think of the last song (or movie, or book or photo) that made you want to cry. Someone about it just effects you and you react to how you truly felt when experiencing it. You should always dance this way.
Dance is expression and the best dancers truly listen to how the music makes them feel. I see so many people out on the dance floor whipping through moves that don’t match the music that it makes me want to cry. This isn’t ‘Step it Up’ and we’re not out there to ‘serve’ our partners… we’re out there to express how the music makes us feel and hope that in turn, it lets our partners know how the song moves us.
My favourite dancers speak to me on the dance floor, and if you truly listen, you’ll speak back. Bachata is a beautiful conversation that’s sensual, romantic and best of all, a conversation that only you and your partner will truly understand.
One of the best things about getting into Salsa and other Latin musical styles is that you discover literally decades of great music. While it’s easy to get lost in the Salsa of yester-year, I’d like to do a quick post of some hot tracks that are currently flooding the airwaves in 2010…
Jose Alberto (El Canario) – Que me lo cuente
While ‘The Canary’ has been around for a long time and made many of the tracks you hear while out dancing, it’s amazing to see that he’s still got it! The guitars really hooked me and love how dynamic the song is!
India – Estupida
While I wasn’t able to catch the Luminato show a few weeks ago, apparently India rocked Toronto! I just love the desparation and frustration in her voice for this track.
Enrique Iglesias feat. Juan Luis Guerra – Cuando Me Enamoro
A modern take on bachata, Enrique teams up with one of my favourite Bachata singers to make a nice contribution to the Dominican Music.
While I personally love the Latin music of the 70s, 2010 has been a great year for new music and hopefully you get to explore more of the people who are making great tracks this year!
Stay Shining Salseros!
Bachata isn’t about the footwork, nor is it about styling or getting dangerously close to your dance partner…it’s about something greater that’s very apparent when witnessing life in the Dominican Republic. Facing the harsh realities of a developing nation, the people that I met during a recent trip seemed to cope through music and dance. Bachata and Merengue aren’t just catchy songs to dance to, but are moving statements of life, love and loss.
Almost as soon as the plane landed you could hear the music in the airport, then on the bus and practically everywhere on the resort. A TDS/Latin dancers’ paradise, you basically end up dancing Bachata, Merengue and Salsa every day/night. While it was cool to impress the touristas, my favourite part of the whole trip was during an excursion where a local guide took notice of our impromptu Bachata at a small canteen. It was amazing to see how proud and amazed he was to find out that people outside of his country knew the dance and even it’s artists.
This pride was apparent throughout the trip, from wait-staff at the resort to the children at the local public school to the wondrous dance team. While it may not make sense, but being surrounded by all of the textures of the D.R. you seem to feel the music much more. Each dance step taken drew that much more sadness, strife and passion.
While some are lucky to get this feeling through the music alone, it took witnessing the real Dominican life for me to truly feel and express Bachata in my movements and mind. With that being said, I would like to express positive thoughts and much love to the Haitians, their families and friends that we met on the trip. I hope that they are safe, healthy and together throughout this difficult time.
Stay Shining Salseros